| BESTSELLERS |
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1 The Guernsey Literary and Potato Peel Pie Society 2 When God Is Gone, Everything Is Holy: The Making of a Religious Naturalist 3 King's Gold 4 The Gargoyle
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1 Proust Was a Neuroscientist 2 Fire in the Blood 3 The World Without Us 4 Rush Home Road
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| HARDCOVER |
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 |  |  | | 1 The Guernsey Literary and Potato Peel Pie Society Mary Ann Shaffer | | |  | | |  | | | “I can’t remember the last time I discovered a novel as smart and delightful as this one, a world so vivid that I kept forgetting this was a work of fiction populated with characters so utterly wonderful that I kept forgetting they weren’t my actual friends and neighbors. Treat yourself to this book please—I can’t recommend it highly enough.”—Elizabeth Gilbert, author of Eat, Pray, Love“Mary Ann Shaffer and Annie Barrows have written a wondrous, delightful, poignant book— part Jane Austen, part history lesson. The letters in The Guernsey Literary and Potato Peel Pie Society aren't addressed to you, but they are meant for you. It's a book everyone should read. An absolute treasure.”—Sarah Addison Allen, author of Garden Spells "The Guernsey Literary and Potato Peel Pie Society is a sweet, sentimental paean to books and those who love them.... It affirms the power of books to nourish people enduring hard times."—The Washington Post Book World “Here's who will love this book: anyone who nods in profound agreement with the statement, "Reading keeps you from going gaga." The Guernsey Literary and Potato Peel Pie Society is a delight. Tart, insightful and fun.”—Mary Doria Russell, author of The Sparrow, A Thread of Grace and Dreamers of the Day
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 |  |  | | 2 When God Is Gone, Everything Is Holy: The Making of a Religious Naturalist Chet Raymo | | |  | | |  | | | Chet Raymo has enriched and graced our lives with this wonderfulbook, steeped in wisdom, warmth, and clarity. A classic. Ursula Goodenough Author of The Sacred Depths of NaturePiercing, funny, brilliant, transcendent, angry, eloquent. One of the nation's finest naturalists and writers pours out his heart on the roaring prayer of Everything That Is and the idiocy of arguing over labels and possession of that which is beyond our ken but not our celebration and singing, which is what Raymo does with stunning power and passion. Brian Doyle Author of The Wet Engine This is a magnificent book, but not one for the faint of heart. In an age of militant atheists and strident believers, Chet Raymo dares to stand, where mystics and philosophers have always stood, in the place of mystery. Douglas Burton-Christie, PhD Loyola Marymount University, Los Angeles Raymo reminds us that human consciousness is plenty big enough to accommodate both science and a sense of the holy. Nancy Mairs Author of A Dynamic God |  |  | | | |  | |  | | ^ back to top |  |
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 |  |  | | 3 King's Gold Arturo Perez-Reverte | | |  | | |  | | | Pérez-Reverte, a former war correspondent, continues his popular Captain Alatriste series with a fourth swashbuckling volume (following The Sun over Breda). Diego Alatriste, a wily veteran of many 17th-century military campaigns, and his sidekick, Inigo Balboa—who narrates—have returned to Seville after fighting in the siege of Breda. With funds short, Alatriste accepts a dangerous mission to intercept a load of smuggled gold and deposit it in the royal coffers. Trolling the criminal underworld of Seville, Alatriste recruits a band of ruffians, and disguised as pirates, they prepare to slip aboard the ship transporting the gold, surprise and subdue the crew and beach the vessel. What Alatriste doesn't expect to find on board is his old adversary Gualterio Malatesta and a large contingent of mercenaries. Fans of the series have come to expect historical authenticity, crisp prose, complex characters, exotic settings and plenty of sanguinary action. ~Publishers Weekly |  |  | | | |  | |  | | ^ back to top |  |
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 |  |  | | 4 The Gargoyle Andrew Davidson | | |  | | |  | | | An extraordinary debut novel of love that survives the fires of hell and transcends the boundaries of time. The narrator of The Gargoyle is a very contemporary cynic, physically beautiful and sexually adept, who dwells in the moral vacuum that is modern life. As the book opens, he is driving along a dark road when he is distracted by what seems to be a flight of arrows. He crashes into a ravine and suffers horrible burns over much of his body. As he recovers in a burn ward, undergoing the tortures of the damned, he awaits the day when he can leave the hospital and commit carefully planned suicide—for he is now a monster in appearance as well as in soul. A beautiful and compelling, but clearly unhinged, sculptress of gargoyles by the name of Marianne Engel appears at the foot of his bed and insists that they were once lovers in medieval Germany. In her telling, he was a badly injured mercenary and she was a nun and scribe in the famed monastery of Engelthal who nursed him back to health. As she spins their tale in Scheherazade fashion and relates equally mesmerizing stories of deathless love in Japan, Iceland, Italy, and England, he finds himself drawn back to life—and, finally, in love. He is released into Marianne's care and takes up residence in her huge stone house. But all is not well. For one thing, the pull of his past sins becomes ever more powerful as the morphine he is prescribed becomes ever more addictive. For another, Marianne receives word from God that she has only twenty-seven sculptures left to complete—and her time on earth will be finished. Already an international literary sensation, The Gargoyle is an Inferno for our time. It will have you believing in the impossible. |  |  | | | |  | |  | | ^ back to top |  |
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| PAPERBACK |
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 |  |  | | 1 Proust Was a Neuroscientist Jonah Lehrer | | |  | | |  | | | With impressively clear prose, Lehrer explores the oft-overlooked places in literary history where novelists, poets and the occasional cookbook writer predicted scientific breakthroughs with their artistic insights. The 25-year-old Columbia graduate draws from his diverse background in lab work, science writing and fine cuisine to explain how Cézanne anticipated breakthroughs in the understanding of human sight, how Walt Whitman intuited the biological basis of thoughts and, in the title essay, how Proust penetrated the mysteries of memory by immersing himself in childhood recollections. Lehrer's writing peaks in the essay about Auguste Escoffier, the chef who essentially invented modern French cooking. The author's obvious zeal for the subject of food preparation leads him into enjoyable discussions of the creation of MSG and the decidedly unappetizing history of 18th- and 19th-century culinary arts. Occasionally, the science prose risks becoming exceedingly dry (as in the enthusiastic section detailing the work of Lehrer's former employer, neuroscientist Kausik Si), but the hard science is usually tempered by Lehrer's deft way with anecdote and example. Most importantly, this collection comes close to exemplifying Lehrer's stated goal of creating a unified third culture in which science and literature can co-exist as peaceful, complementary equals. ~Publisters Weekly |  |  | | |  | |  | | ^ back to top |  |
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 |  |  | | 2 Fire in the Blood Irene Nemirovsky | | |  | | |  | | | Silvio, the narrator of Némirovsky's brief, posthumously published novel, lives alone on his small farm in pre–WWII rural France, committed to his permanent bachelorhood. But as he watches the affairs of young people around him, he recalls his early love life and the dying embers in his spirit start to glow again. Bramhall reflects this well in his deep, harsh voice by building up from Silvio's tone of quiet disdain and aloofness into one of possessive fervor. The French-accented English he uses for all conversation helps listeners place the story on a cognitive map. His voice lulls listeners past noticing the novel's unfinished state. The dropped strands of the plot, the chapters consisting of just a few paragraphs and the scenes with rougher edges all fade thanks to his low but intense growl. Fans of Némirovsky's more polished Suite Française and romantics with a taste for passionately spoken French, will be swept up by this entrancing and evocative tale. ~Publishers Weekly |  |  | | |  | |  | | ^ back to top |  |
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 |  |  | | 3 The World Without Us Alan Weisman | | |  | | |  | | | If a virulent virus—or even the Rapture—depopulated Earth overnight, how long before all trace of humankind vanished? That's the provocative, and occasionally puckish, question posed by Weisman (An Echo in My Blood) in this imaginative hybrid of solid science reporting and morbid speculation. Days after our disappearance, pumps keeping Manhattan's subways dry would fail, tunnels would flood, soil under streets would sluice away and the foundations of towering skyscrapers built to last for centuries would start to crumble. At the other end of the chronological spectrum, anything made of bronze might survive in recognizable form for millions of years—along with one billion pounds of degraded but almost indestructible plastics manufactured since the mid-20th century. Meanwhile, land freed from mankind's environmentally poisonous footprint would quickly reconstitute itself, as in Chernobyl, where animal life has returned after 1986's deadly radiation leak, and in the demilitarized zone between North and South Korea, a refuge since 1953 for the almost-extinct goral mountain goat and Amur leopard. From a patch of primeval forest in Poland to monumental underground villages in Turkey, Weisman's enthralling tour of the world of tomorrow explores what little will remain of ancient times while anticipating, often poetically, what a planet without us would be like. |  |  | | |  | |  | | ^ back to top |  |
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 |  |  | | 4 Rush Home Road Lori Lansens | | |  | | |  | | | Certain novels recall fairy tales. Their heroes are banished, repeatedly challenged, until finally, foes vanquished, they make their triumphant homecoming. Though it opens in 1978 in a Chatham, Ontario, trailer park, Lansens's poignant debut is just such a novel. At its heart is Adelaide Shadd, a 70-year-old black woman who takes in five-year-old Sharla Cody when Sharla's "white trash" mother abandons her. As Addy turns Sharla from a malnourished, heedless child into a healthy, thoughtful girl, she recollects her own past. Addy grew up in Rusholme, a fictional cousin to the many Ontario communities founded by fugitive slaves brought north by the Underground Railroad. By 1908, when Addy is born, Rusholme is settled almost entirely by black farmers and is close to idyllic. But a rape and subsequent pregnancy force Addy to run away from Rusholme (she thinks of it as a command: "Rush home"), not to return for many years. Addy's life her marriage, her children, her journey to Detroit and back to Canada is the rich core of a novel also laden with history: Lansens manages to work in not only the Railroad, but also Prohibition and the Pullman porter movement. This is artfully done, but Lansens doesn't handle the novel's smaller scenes quite as well: she tends to drop narrative threads and confuse chronology. Some readers will resent the repeated plucking of their heartstrings, too, given how much Addy and Sharla suffer. Nonetheless, Lansens has created in Addy a truly noble character, not for what she suffered in the past but for what she does in the novel's present. |  |  | | |  | |  | | ^ back to top |  |
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